Photo of Miguel Gutierrez by: Marley Trigg Stewart
Photo of dancers, Evelyn Lilian Sanchez Narvaez and Wendell Gray II by: Amelia Golden

 

Performance Grant
2024 Winter Grantee
Miguel Gutierrez

Miguel Gutierrez - Artist
Photo by: Marley Trigg Stewart

 



Miguel Gutierrez is a choreographer, music artist, writer, visual artist, educator, podcaster, community advocate, and Feldenkrais Method practitioner living between Lenape/Canarsie land, colonially known as Brooklyn, NY, and Tongva and Gabrielino land, colonially known as Los Angeles, CA. His work centers attention as a material form and as a means to unravel normative belief systems. He creates empathetic and irreverent spaces for QTPOC folx (including himself) to dream, find agency, and process grief. His strategies include, as Siobhan Burke has written in The New York Times, “trenchant, darkly funny structural critiques, addressing the faults in the very systems that undergird his artmaking.” His work has been presented nationally and internationally in venues such as Festival d’Automne/Paris, the Walker Art Center, and in the 2014 Whitney Biennial. He is a recipient of a Guggenheim Fellowship, United States Artists Fellowship, Foundation for Contemporary Arts Award, four NY Dance and Performance “Bessie” Awards, and a 2016 Doris Duke Artist Award. He is an Associate Professor of Choreography at UCLA in the department of World Arts and Cultures/Dance, where he also serves as Vice Chair for the MFA in Choreographic Inquiry.

 

Super Nothing is a new dance performance by Miguel Gutierrez that works with archive to see how our past can provide a blueprint for a more rigorous honesty in the present. The piece is danced by performers from New York and Los Angeles. How do the dynamics of an art-making process reflect or deny the dynamics of life outside the studio? How is choreography a reflection of the desires, insecurities, and personal investments of the people in the room? How can a dance speak to the overwhelming and constant grief that undergirds our lives? bell hooks writes that, “Moving, we confront the realities of choice and location.” Thinking about movement in both the dance and geographic sense of the word, this piece engages with our ideas about place/home, time, history, and the strength and failings of “community.”

Super Nothing will premiere as part of New York Live Arts 24'-'25 season.

Photo by: Amelia Golden of Evelyn Lilian Sanchez Narvaez and Wendell Gray II

 
 

Please visit Miguel’s Instagram for more information.